RadAttack
RadAttack
is a versatile and accomplished Irish musician. He graduated from Maynooth University with a Bachelor's degree in Music, laying the foundation for an impressive journey through the world of sound and creativity. With a dynamic range of skills and a genuine passion for music, RadAttack has established a remarkable presence in the industry.
His proficiency as a multi-instrumentalist shine through, allowing him to seamlessly traverse diverse musical genres, from the intricate complexities of jazz to the high-energy realms of rock and the infectious rhythms of pop.
During the challenging times of the COVID-19 pandemic, RadAttack utilized the opportunity to channel his creativity into his first solo endeavour. He embarked on recording his debut solo work, resulting in the release of multiple distinct pieces of music. Each single showcases a unique style, highlighting RadAttack's versatility as an artist and his determination to transcend creative boundaries.
Quote from RadAttack
There is so much amazing and profound music out in the world, and my contribution to this beautiful artform stretches through a wide variety of styles and genres. This way I’m never limited in the creative process, which enables me to treat every single piece of music as its ownpersonal adventure.
You can Find RadAttack on All social Media Platforms
Instagram @ RadAttackOffici
Your project has entered our festival. What is your project about?
The music video in question began as a bit of a joke, but we didn't initially realize we were creating a comedy. I had envisioned an 80s-style video for some time, but I wanted it to authentically capture the essence of that era, unlike many modern music videos that are merely influenced by it. Our goal was to genuinely transport the viewer to the 1980s, which required us to shoot in the same style.The intention was for the viewers to feel as if they had discovered an old VHS tape. Simultaneously, we wanted to convey that it was very much a satire, humorously exposing the glorified excesses of that period.
So we crafted a scenario set in a talk show environment where the performer becomes flustered by questions about their work which leads to ascreening of an embarrassing commercial which in turnescalates to a chaotic backstage drama.
What are your ambitions with your project?
I want the viewers to recognize the effort we invested to make this project a reality.And let me tell you, achieving this on an extremely strict budget was no easy task. We didn’t have a single professional actor or a musician on stage, with perhaps one or two exceptions. We had family and friends just having a laugh. But the point I’m trying to make here is that you don’t need a professional cast or a massive film studio budget to make something really remarkable, and if you immerse yourself in the project, you can create something truly magical and maybe even reach an international audience.
Tell us something about your shooting? What pleasantly surprised you?
As I was crafting the narrative, I composed the melody. The tune soon became intertwined with the plot, and the story felt incomplete without its accompanying music.
What pleasantly surprised you?
What really surprised me was the sheer determination of the cast and crew, who, let me remind you, are not professional actors by any means. Everyone fully embraced their roles and characters, and it was an absolute pleasure to observe. Additionally, everyone stayed in character throughout, making it feel almost like being in an episode of Spinal Tap.
What locations did you choose for your project? And why?
We filmed in an old theatre in Birr, Ireland, which had the perfect ambiance for our project. Its vintage aesthetic significantly aided us, especially since our budget didn’t allow for the construction of an entire set. Most modern facilities only offer space, requiring us to build everything around it to create a convincing atmosphere, so this was just perfect in every way.
What expression elements did you use in your project?
In our project, we utilized several expressive elements, including:
Visual Aesthetics: We focused on a vintage look and camera angles to enhance the overall atmosphere, particularly influenced by the 1980s.
Character Development: The cast fully embraced their roles, adding depth and authenticity to the performance.
Humour and Satire: We incorporated comedic elements and satire to critique and celebrate the excesses of the era.
Setting: The old theatre provided a unique backdrop that contributed to the project's nostalgic feel.
Narrative Structure: We crafted a storyline that engaged viewers and highlighted the chaos of a talk show environment.
Audio and Post Production: We have recorded live audience and blended it into specific segments to simulate LIVE talk show taping.
How would you characterize your work?
I see myself as a highly creative individual. Fortunately, the director I collaborate with is a very open-minded filmmaker who consistently brings my ideas to fruition. I've produced three music videos so far, each vastly different from the others. I thrive on avoiding repetition and continually push my creative boundaries to explore less conventional and distinctive concepts. As a result, it’s challenging to categorize my work, especially in terms of music, because there is so much incredible music produced by amazing individuals.It’s hard not get influenced by it all, making it difficult to limit myself to just one style when the possibilities are endless.
For what group of spectators is your music video targeted?
My music video is primarily targeted at an older audience who may feel a sense of nostalgia for the past. However, I also hope to reach younger viewers who can appreciate the unique artistic elements and humour within the video, ultimately broadening its appeal across different generations.
What topics do you like to explore in your work?
I enjoy experimenting with ideas and believe that nothing is off-limits. Comedy and dark humour are definitely my strong points, simply because I never take anything seriously. Ideally, I like to explore concepts that are fun to experience, enjoyable to listen to, and entertaining to watch.
What topics do you like to explore in your work?
I always strive to portray characters in my songs and stories who are well-mannered and well-groomed, in order to inspire others to aspire to the higher reaches of their potential.
What genre do you like and why?
I enjoy many genres of music, including opera, film scores, and theatrical pieces, in no particular order.
What are your hobbies?
Aside from making music, I enjoy running which is actually where many of my ideas originate. During my long runs by the canal in the countryside. You get a lot of time to think and conceive ideas.
What projects do you plan to shoot in the future?
I have a few ideas in mind, including a horror-themed music video. An animated or even hand-drawn video could be a possibility.
